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How Does Photography Change Our Lives? How Has Photography Changed Your Life?

A New Outreach Program and Interactive Feature at click.si.edu

The Smithsonian Photography Initiative invites the public to participate in an unprecedented online dialogue about the impact of photography on history, culture and everyday lives. Visitors to “click! photography changes everything” at click.si.edu are encouraged to submit their photos and stories about the many ways photos shape experience, knowledge and memory.
 
The Smithsonian Photography Initiative recently started selecting stories and images submitted by site visitors on an ongoing basis to be regularly uploaded to the “click!” Web site. In addition, on a bi-monthly schedule, it is issuing more specific and theme-based calls for visitor-contributed content. New images and stories will join an archive of written and filmed commentaries that the Initiative began collecting last year from invited experts investigating how photography has changed the progress and practice of their diverse fields—from anthropology to astrophysics, from media to medicine, from philosophy to sports.
 
The Initiative is collecting and sharing images and narratives that shed light on how photography influences who people are, what people do and what people remember. Has a photograph been used to document property loss, inspire a hairstylist, sell a house, beat a traffic ticket or helped with the decision about where to go on vacation? Has a single photograph ever influenced what someone believes in or who someone loves? Visitors can go to the website and follow the easy steps to share their stories about the power of photography and to see images and read stories submitted by others.
 
Selected entries from the general public will be featured alongside those by invited experts such as Stewart Brand, founder and editor of the legendary Whole Earth Catalog, who understood how photography could change the way people viewed Earth and their life on it; Diane Granito, an adoption specialist and founder of the Heart Gallery, who explains how commissioning and exhibiting compelling photographic portraits of foster-care children helped the children find new families and homes; and Lauren Shakely, publisher at Clarkson Potter of a string of best-selling cookbooks, who describes how and why photography can change the kinds of food people crave.
 
“click!” also presents seven videos—available online, as downloadable podcasts and on YouTube—that feature Smithsonian curators, historians and scientists speaking about photography at the Institution. Visitors to the site can see and hear Lonnie Bunch, the director of the new National Museum of African American History and Culture, explain the role photography plays in building a new museum about cultural identity. In another video, Lisa Stevens, curator of primates and pandas at the National Zoo’s Department of Animal Programs, describes how photography, in addition to turning pandas into celebrities, spreads knowledge about little-known species, generates funds and raises public awareness of conservation issues.
 
At this transitional moment—as digital technology alters the form, content and transmission of photos—the goal of “click!” is to provide a unique opportunity and gathering place for experts and the public alike to reflect on the history, spread, practice and power of photography.

About “click! photography changes everything”

In March 2008, the Initiative launched “click! photography changes everything” as an interdisciplinary Web site. The goal of “click!” is to stimulate an unprecedented dialogue about the ways photography enables people to document and actively interact with the world. Later that year, the second phase of “click!” launched, inviting the public to actively participate in a dialogue about the role photos have played in history and their everyday lives, a dramatic alteration of the traditional one-way, curator-to-visitor dynamic.

Marvin Heiferman serves as creative consultant and curator of “click! photography changes everything.” His vast experience organizing major exhibitions about photography and visual culture includes exhibits at the Museum of Modern Art, the Whitney Museum of American Art, the International Center of Photography and the New Museum. “click!” is his first online exhibition project.
 
Support for “click! photography changes everything” has been provided by several private individuals and foundations, including the Comer Foundation, PhotoWings, The Henry Luce Foundation and the Trellis Fund. Night Kitchen Interactive of Philadelphia is the Smithsonian Photography Initiative’s Web-design firm for “click!” Video Art Productions of Washington, D.C., produced the videos for the Web site.
 
About the Smithsonian Photography Initiative
 
The Smithsonian Photography Initiative was established in 2001 to encourage greater awareness of the Smithsonian’s vast and unique image collections. It is dedicated to creating interactive programming, including online exhibitions, publications and educational activities via its Web site, photography.si.edu.

African Image Pipeline

South Africa’s History Available in Pictures Ahead of 2010
R5.5 million Project to Ensure South Africa’s Story is Available in Pictures to World Publishing Markets

Africa Media Online (Pty) Ltd, is at the heart of an effort to ensure that when the world media turns their attention to the South Africa ahead of the 2010 Fifa World Cup, they can find the pictures to tell the nation’s story.

Africa Media Online is a digital trade route enabling Africans to tell Africa’s story and retain ownership of that story. “Colonialism was set up to feed the industrial economy,” says David Larsen, Director of Africa Media Online. “The industrial economy needed raw materials to keep it growing. We now live in the information economy and what feeds the information economy is information, including the heritage of cultures around the world. This time around, we want to make sure that Africans retain ownership of their resources and own the trade route to markets around the world.”

The 2010 Fifa World Cup will generate tens of thousands of articles in print publications, web posts, and television clips in the local and international media, and almost all will need pictures to illustrate their stories.

“The media hype that is generated won’t just be about soccer,” says Larsen “Journalists and editors will be seeking to put the tournament in the context of the country in which it is held. World audiences will be interested in our geography, history, culture, and economy. They will be interested in what they can see, learn and do, and in what they can make money from,” he says.

“It is not just the soccer publications that will be turning their attention our way. Newspapers, women’s magazines, travel publications, business blogs and others will be looking for an angle on the World Cup that is applicable to their audiences.”

“All will need pictures, and that is what we are getting ready for.”

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